"The Marriage Ref" is established on sporting principles (based on the lengthy animated introduction with Jerry Seinfeld). Unfortunately, the performance of this panel show that debuts tonight on NBC (KNVN 24) is more XFL than NFL.

I'll be short because other viewers and TV critics have already eviscerated this show. One critic snarked about a future when networks could get instant feedback and cancel a show in progress.

Based on the 30-minute preview that aired Sunday, I find myself dreading an entire hour of this banality.

If the "Ref" were a pitcher, there were months of wind up (including endless commercials), but the pitch is a roller in the dirt. If the "Ref" were batter, it's probably going to quickly strike out.

But "Ref" is neither pitcher nor batter, it's a simple show that would be at home on basic cable if it weren't for the celebrity friends Seinfeld has gotten to join him as panelists for the actual ref, Tom Papa.

The premise of the show is relatively straightforward -- footage of a couple bickering over a meaningless trifle is shown before a panel of celebrities. The celebrities pick apart the couple's dilemma and hopefully make a few good jokes before Papa makes the call on which spouse is right.

Humor ensues, or it's supposed to. However, as some critics pointed out, there may be some elements of the show that might work, but the execution is wrong.

The panel of celebrities are amusing, but they definitely aren't as funny as they think they are. Some have accused the show of elitism -- where the well-to-do celebs mock people from outside New York City. I didn't necessarily get that feeling, but there was a sense of insincerity around the endeavor.

First - When Papa brings the couple back for the verdict, he says we're going to meet the "real" couple. But the audience already saw a realistic depiction of the dispute earlier. Does that mean that it was faked with actors? That's pretty lame. Update: I watched a small part of Thursday's show. Apparently the couples are real throughout the program. Papa seems to say "actual" as a verbal tick (like "It's the 'actual' David Blaine."). Still lame.

Second - While cracking wise, the panel has made some pretty valid points about the relationships -- like how one silly dispute may be due to a lack of intimacy. Does this get back to the couples? Not during taping, but maybe they'll see it when/if it airs.

The whole thing reminded me of the goofy shows that Comedy Central aired in the past two decades, like "Win Ben Stein's Money," "Beat the Geeks," or "Root of All Evil." These shows are often a string of jokes built around an extremely flimsy premise.

When they live in the fringes of cable, the shows are enough to keep people amused for 30 minutes. But mild amusement isn't enough to sustain a show that is shoved into the relatively bright light of network primetime for an entire hour.

One of the latest Internet campaigns that seems to be gaining traction is a push to get comedienne Betty White to host an upcoming episode of "Saturday Night Live." While she showed some toughness and strong comedic chops in a Super Bowl ad, I don't know if the 88-year-old would want to go through the grueling, week-long gauntlet of live television.

The discussion kicked on Super Bowl Sunday when White appeared in a Snickers ad as a player of a rough game of pick-up football. She gets bullied about until she eats a Snickers candy bar and turns into a younger player. The spot, which also featured a Pleasant Valley High grad, ranked highly by USA Today's Ad Meter.

Since then, people have been pushing for "Saturday Night Live" to offer White a hosting gig. A Facebook fan page had more than 441,000 fans, as of this writing. Entertainment Weekly's Ken Tucker imagined how the show might go.

The effort seems to be gathering strength, according to EWs Michael Ausiello.

I'm kinda excited about her getting this opportunity, but I was initially leery about her shouldering the entire show herself. Thankfully, it seems like SNL may give her a bench of relief pitchers, so to speak.

Ausiello reports that SNL producers are close to a deal with a possible catch -- that White is teamed up to host with a "Women of Comedy" dream team. Names bandied about include Molly Shannon, Tina Fey and Amy Poehler -- all good choices, but I hope they cast a wider net than just former SNL alumni.

Having a dream team co-host with Betty makes a lot of sense. It could be better than my idea of just having her pop up in a few Digital Shorts (which I think could still be funny and work well as viral video).

Betty is a trooper -- she deserves to be the starter and should be the star attraction. However, hosting the show can be a grind. This is based on what I've read of the production -- including the epic book "Live from New York: An Uncensored History of Saturday Night Live" by Tom Shales and James Andrew Miller. NPR's "Fresh Air" also apparently has an interview with Tina Fey discussing behind-the-scenes of the show.

During any given show week, there are days of work of turning ideas into tangible sketches for broadcast. On Saturday, there are rehearsals leading to an 8 p.m. dress rehearsal filmed before a live studio audience. Based on that rehearsal, executive producer Lorne Michaels determines which sketches will air live at 11:35 p.m.

If Betty hosts, she would need to be "on" for more than 6 hours on Saturday (the two performances and additional morning rehearsals). That's a lot to ask of anybody, but if anybody can do it, White can.

What White may lack compared to the pretty faces hosting this year, she makes up for with moxie, a proven history of performing in live situations, and sharp sense of humor that has stayed fresh over the years.

I'm generally enjoying the Vancouver Games as it enters the seventh day of competition, but some things are sticking in my mind. Please share your "grievances" in the comments.

The fence around the Olympic Flame: I think the organizers were caught flatfooted by the fact that people may want to be close to the beautiful outdoor Olympic Cauldron. At the very least, the image of a chainlink fence in front of a symbol of peaceful competition is disconcerting.

Kudos for the organizers for making changes and creating more viewing opportunities (according to this CBC News article). However, I didn't necessarily care for one of the organizers' excuses:

Organizers said the cauldron is far closer to the public than Olympic flames of past Games, where they've usually been located in or atop stadiums.

The cauldron at the 1996 Atlanta Games was outside Centennial Olympic Stadium and it was generally accessible to the public (at the very least it wasn't blocked by a massive fence). I remember having lunch and taking photos mere yards from that Olympic Flame along with many spectators and families.

The Lack of Curling on NBC: This is a minor gripe at most, but it is sad when FOX has more curling on a 30-minute episode of "The Simpsons" than NBC will have in two weeks on its main network. Yes, curling is available on cable channels (that I don't have) and is streaming live online (which I don't have access to because I don't have the right cable package). In recent years, curling almost always gets praised as a pleasant surprise of the Games. Maybe it's not a primetime event, but it's lame that NBC couldn't find time to at least air the gold metal match on broadcast (like in the afternoon).

Shoddy online coverage: There's a huge difference between the online coverage of the 2008 Beijing Games and in Vancouver. Just two years ago, many non-marquee events were streamed live and in their entirety. Now, it's mostly hockey and curling aired live (with other events posted after NBC has aired them in primetime). Hockey and curling are both fine sports, but the offerings are like night and day.

Tape Delay: It's a gripe as old as NBC's coverage of the Games. It is certainly frustrating that NBC insists on starting its primetime program right at 8 p.m. (7 p.m. Central) even though there are live events taking place at 5 p.m. Vancouver time. And, of course, Vancouver time is the same time as Chico and the entire West Coast which just compounds the silliness.

NBC didn't have to do this. It could have emulated a model from Canada that I thought could work fairly well here. In previous games, the Canadian Broadcasting Corporation would air its primetime program live nationwide. After the end of that broadcast, the CBC would offer a special West Coast-only highlight package to help round out the night. I don't know what the current Canadian broadcaster, CTV, is doing.

Media coverage of "the glitches": I'm sure some of the criticism of the Vancouver organizing committee's operation of the Games is justified, but the howling has seemed ferocious at times. The situation has drawn many comparisons to the Atlanta Games in 1996 when the media lambasted ACOG's miscues, particularly regarding transportation (as this 1996 New York Times article details).

The disconcerting thing about the Atlanta criticism and the Vancouver gripes is that these woes somehow become part of the "legacy" of the Games. I was in Atlanta for the Games, and the woes weren't my "highlight" of those Olympics. Yes, it wasn't pleasant at times -- I had to brave the crushing crowds on MARTA and I once had to give directions and a map to a bus driver so we could get to our destination. However, it pales in comparison to witnessing the opening ceremonies, watching track stars break world records and enjoying some of the finest art and music in my life.

Bruce Arthur of the National Post offers a nice perspective on the criticism. While acknowledging that Vancouver has been far from perfect, Arthur points out how there are at least three different views of the Games:

There is the Olympics that we in the media experience, the one the athletes experiences, and the one the public experiences. But only one of us write the verdict on the Olympics in question.

For another take on the Olympics' legacy on host cities, The Independent looked at how cities capitalized on the infrastructure changes made for the Games. Atlanta seemed to fare much better on that score and I hope Vancouver does too.

It can be fun to deck the halls, roast chestnuts or go on sleigh rides, but when it comes to a-wassailing, I find that there are four stages to enjoying or singing Christmas music.

These stages could be circled on the calendar, just like the big day itself:

1. Pre-Thanksgiving: Like holiday displays, it's far too early to hear Christmas music in early November. A telling example -- hearing tunes as early as the first week of November ... at a Panda Express Chinese restaurant.
2. Post-Thanksgiving: It's all right to slowly ramp up the music. I hosted "Evening Jazz" during the first really cold night of the year (Dec. 7). It was appropriate to play winter-y tunes, but I stayed away from the more Christmas-themed songs until ...
3. Dec. 11: Two weeks before Christmas, it's appropriate to crank up those favorite tunes. I played a few during my Friday radio show. It is strangely all right to have two radio stations in a small media market dedicated exclusively to holiday music.
4. Post-Dec. 25: Enough's enough. Christmas has come and gone. It's time to put those albums back on the shelve until next year when we repeat the cycle again.

In about an hour, the next step in Jay Leno's career begins with his new series. Every weeknight at 10 p.m. viewers will get a dose of Leno -- if they're tuned to NBC. Chances are viewers will be tuned to another channel or doing something else entirely.

Clearly there's been a lot of talk about whether "The Jay Leno Show" reflects the changing reality of television or if it will crash and burn. Newsweek's Pop Vox blog has some insight and how results might end up being mixed.

While I lament the loss of potentially five hours of scripted television, I never really thought that NBC was taking that huge of a risk by airing Leno five nights a week. As others have helpfully pointed out, producing Leno's show is likely a lot cheaper than filming an hour-long drama. The downside is that these cheaper shows may not have the same rating draw as a drama.

Also, the "Jay Leno Show" isn't necessarily a revolutionary move on NBC's part. After all, it was nearly 20 years ago when NBC and the other networks used cheaply produced newsmagazines to plug in gaps in their schedules.

I don't think NBC ever aired "Dateline NBC" five nights a week on a consistent basis, but it certainly felt like it on some weeks.

We've seen networks try to save money amid increasing competition with regularly scheduled and cheap newsmagazines. This is just another link in the chain.

As "Glee" starts its first season tonight on FOX, I think a lot of the show's success depends on how this fun show is developed.

The show's creators have thrown in a lot of cane sugar -- I enjoyed the story about high school students and their teacher working to revive a show choir. There's something sincere about the effort to succeed in a harmless endeavor even if it isn't popular or well regarded by other students.

On the other hand, the "Glee" chefs have also stirred in a ton of artificial corn syrup -- including really blatant fake singing that detracts from the show's impact. I'm not talking about normal dubbing, which I think happened in some of the songs from the pilot. I'm talking about fake singing on the scale of the "Nick & Jessica's Family Christmas" special featuring Jessica Simpson and Nick Lachey.

The show choir's big number in the pilot -- a performance of Journey's "Don't Stop Believing" -- sounded overdubbed and had way too many voices for what is supposed to be a group of six singers. The vocals from the male lead sounded like they were lightly processed by an auto-tuner. That definitely detracts from a character who is supposed to have great talent.

Plus, the backing music supposedly from a jazz band sounded like a synthesizer from the 1980s. As a former band-o, this is unforgivable.

Far better critics than I (like Maureen Ryan of the Chicago Tribune) have noted how "Glee" is trying to strike a balance between sincerity and irony.

As the show gets launched tonight, I think that it will need to balance a lot of things. Yes, sincerity and irony but also providing a semi-real slice of high school while providing enough entertainment to keep viewers tuned in.

I hope they find their sweet spot because this is a show that I could be interested in.

The approximate round-trip cost to take Amtrak's first-class Acela train from New York to Philadelphia is about $172 (depending on demand). Thanks to TV, that cost might be free for a select few.

According to an acerbic post on the Web site Gawker, Dr. Phil is going to be on Acela for a round-trip from NYP to Philadelphia on Sept. 9. While on-board, Mr. McGraw will speak with passengers about "everyday problems."

There's a form to fill out if you are interested in being on the train/appearing on the show. If you're selected, the trip is free.

I don't know if I would do it. It's interesting that people are willing to vent their problems on national TV for about $172. That's a relatively low price for a TV producer to pay.

There's also a fame factor involved in meeting and interactive with Dr. Phil. Fame and notoriety seem to be strong motivators even if there is little reward.

Also, the leather seats on Acela sound pretty nice compared to a counselor's couch.

So is it worth discussing your problem with a talk-show host if it gets you a free train trip?

I always like listening to the diverse topics discussed on public radio, but Monday's "Fresh Air" seemed to hit a lot of high notes in my book. There were discussions about the increasing popularity of cooking shows and a look at ticket prices at concerts.

First, guest host Dave Davies chatted with Michael Pollan whose recent New York Times Magazine story touched on how Americans love watching cooking shows, but we're actually cooking less. It was a great interview and had some sobering information.

Pollan said Americans spend an average of 24 minutes per day cooking in the kitchen and about 4 minutes doing dishes. He compared that figure to the fact that some cooking shows last twice as long as some people spend in the kitchen.

Looking toward the future, Pollan cited some marketers who feel that home cooking may fall by the wayside, much like killing, bleeding and plucking a bird if you wanted chicken for dinner.

I admit that I don't cook at home as much as I should. I loved watching cooking shows, ranging from what Pollan called "dump-and-stir" instructional programs to the competitive shows like "Iron Chef."

Cooking shows provide me some cultural insight and some ideas for meals (although it doesn't necessarily translate to my kitchen). Some of the competitive programs are over the top and don't provide direct ties to home cooking. However, Iron Chef gave me a greater appreciation of cooking and Japanese culture. Programs like "Good Eats" and "Molto Mario"  showed me essential ingredients and cooking techniques that helped in the kitchen.

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In the second segment, John Seabrook discussed the live music industry following his recent article in The New Yorker.

The interesting aspect of that conversation was about Internet scalping driving up ticket prices. Seabrook said ticket prices may be set lower than full market value to encourage sell-outs and that full venues help the bottom line for parking and concessions.

I really enjoyed the discussion, but I still have strong feelings about scalpers, online or otherwise. It is fascinating how the Internet has legitimatized something that was previously illegal in many states and just a little bit scuzzy.

It miffs me that people who have no interest whatsoever in attending an event buying up and reselling tons of tickets to line their own pockets. On the other hand, I'm more understanding of season-ticket holders and others selling tickets to events they intended to attend.

Ultimately, I think scalpers needlessly drive up the cost of attending an event and I want to have no part of it even if it means that I don't get to go.

Good news, everyone! Word came out Friday evening that the "Futurama" cast has signed on for the new season of the show.

It's not clear what cleared the way toward a deal between the actors and the studio, but I'm glad they reached terms. I definitely wouldn't want to see the actors be replaced.

The new season will begin airing next year.

Every so often, I delve into my drawer of "Secret Shames" -- some deep, dark, pop-culture secret that I'm not too proud of. This latest secret shame deals with one of the largest pop-culture events of the year -- the San Diego Comic-Con.

The 40th edition of the event recently ended and, for the umpteenth time in a row, I wished I could've been there. In recent years, it's become a huge event that went beyond its comic book origins as Hollywood studios slowly realized the convention's potential.

While I'm modestly interested in comic book, I would've definitely wanted to check out panels for many of my favorite TV shows, including "Battlestar Galactica" and "Chuck." There were "Battlestar Galactica" concerts at the House of Blues.

Yes, there are people dressed up as their favorite characters. While it's not my thing to dress up, I can appreciate the work of many of the costumes.

Missing Comic-Con wouldn't be such a big deal if I hadn't lived in San Diego for nearly seven years. What's worse, I don't think I knew much about it while I lived there.

The only convention I went to in San Diego was a "Star Trek" gathering at Golden Hall. It's like riding a Merry-Go-Round when Disneyland is around the corner.

In the years since I left San Diego, I've never been able to time a vacation to go down there for Comic-Con. Also, I think if I wanted to go, there might be a problem getting passes -- as the event has grown, the passes have become more elusive.

Luckily, Comic-Con puts on a smaller affair in San Francisco every February called WonderCon. I've been able to make two of those and had a great time each year.

Hopefully, I can catch the 41st Comic-Con next year and put this secret shame to rest.